I'm writing a song on my non-native instrument piano, and my college music theory is old enough to be failing me. The song is in the key of E, and the main melody/harmony moves while keeping an E as…Continue
"Explanation is absolutely important when teaching a congregation to sing a song. Some songs in particular may include phrases or words that need context. Those words ARE in Scripture and can be best understood in their Scriptural context. Just…"
"Not to invalidate the question, but is this really an issue? Should there be a debate? I've played in numerous churches and worship gatherings, on many different instruments. I've been the main leader, a supplementary leader, an…"
"I'd prefer something much simpler like an Em/F#. I know this takes away your A note but I love the emphasise on the B. Having said that, it depends what you are looking for and what fits with your harmony, I swap and change chords all the time…"
"Normally if I was writing on guitar that's probably what I would have done. But I heard this intro on piano so I sat down to figure it out, and ended up with not only the A there, but also the F# for a harmony line. I suppose the guitars could…"
"Hi, Actually E11 has a dominant seventh - so just a D natural which can work. Emaj11 would have the major seventh and I'm with you...ick!! :-) Good luck. BTW, I noodled with different guitar chords and the piano chord and I thought my favorite…"
"I do agree with that. I suppose I'm just saying the whole issue of labels makes the issue appear more black and white than it is.
But I wonder what the people who created this study think is the answer? I bet I wouldn't agree with them.…"
"Thanks everyone for your thoughts. Definitely not an E2/Eadd9 because of the A in it.
Andrea, I originally notated it as an E11 but as you said that assumes the 7th -- and I believe it's technically the Major 7th that is assumed, which would…"
"I would say, in the nature of the pedal tone being E and the chord sequence I guess you are creating, it sound more like Esus4+9-5! Hope you're good at algebra! Just that it sounds like a very suspended E with the addition of the 2nd (9th), and…"
"Classically you would form the chord from the bass note as root. If the chord is E major then the F# is the 9th tension and the A is 11th tension. You could write it as E11 (because that includes the 9 but that chord would also assume the seventh -…"
I'm writing a song on my non-native instrument piano, and my college music theory is old enough to be failing me. The song is in the key of E, and the main melody/harmony moves while keeping an E as the bass note. So the first chord is E, made up of E, B, and G# -- just your regular major chord. The third chord in the line is an A/E, made up of E, C#, and A. The chord in between them is an E, A, and F#. What would you call that chord? It's not a D/E, because I'm not using the D note. …See More
"Interesting article, but I don't think any one study is definitive. You have to remember that the way a question is phrased makes a big difference. If someone specifically asked me "Would you consider yourself more spiritual than…"
I've been a worship pastor at my present church (www.pequeachurch.com) for almost 2 years, and was a worship director at my previous church (www.daybreak-church.com) for 10 years. I'm a total geek about Taylor guitars and anything drum and drumming related. Also love sci-fi and good food!
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